Changes like these are sadly typical of the Hobbit prequel trilogy, which is far cruder and less sensitive to the charm and beauty of its source material than the Lord of the Rings films were. As bad as Christopher Tolkien’s fears in 2012 about The Hobbit films might have been, the reality is worse.
“Will you follow me … one last time?” Well, if you promise it’s the last time.
What I can say is that The Hobbit: The Battle of the Five Armies (a title strangely stuffed with too many the’s, at a time when movie titles often dispense with articles) includes — amid overinflated spectacle and cynical fan service — some of the best stuff of any of this prequel trilogy.
Now, two installments into the epically epic trilogification of Tolkien’s slender fairy tale for children, it seems Jackson and company have only one abiding goal: to keep one-upping themselves with ever more preposterous action sequences, nastier violence and more inappropriate humor.
The Hobbit: An Unexpected Journey in 60 seconds: my “Reel Faith” review.
There is an early moment in The Hobbit: An Unexpected Journey that captures the evocative poetry of Tolkien’s songs — something that The Lord of the Rings films, for all their achievements, never did. By the time the credits roll, that moment feels like it belonged in a very different film.
I usually stay far away from trailers. I like to experience movies as cold as possible. But this is Peter Jackson’s The Hobbit, and my fine principles have failed me. The film itself is still a year off … and I can’t wait that long to satisfy my curiosity.
Character design is a mixed bag: Gandalf looks very much himself, but Bilbo is rather cherubic, and the dwarves are uninspired. Worse is Gollum, disappointingly bloated and stiff rather than agile and emaciated, and the dreadfully goblin-like Wood-Elf King. (On the other hand, the Elf-lord Elrond, with his distinguished features and strange crown-halo, is far preferable to Bakshi’s dismally graceless version of the same character.)
Copyright © 2000– Steven D. Greydanus. All rights reserved.